Archive for We like music.

That we were a Family Unit was unmistakable.

I met that little deadline set so flippantly last Wednesday.  Somehow I managed to sew a new something for all four of us, or rather two sets of coordinating get-ups.

 

It was fortunate that we did get in some dancing before we all melted into a big, handsewn puddle.  It was so, so hot.  Our night ended abruptly when it was determined that the cost/benefit ratio had skewed way out of our favor.

Some important sewing notes to myself for the future:

+ Deadlines are your best friend!

+ Deadlines are constraining in that they don’t allow for tweaking or modifications.  Isadora’s green dress bottom is actually a Size 7 women’s skirt modified to fit her dress.  As such, it has a body of its own and was quite boxy and awkward.  I’m going to play with moving her sash down a bit to hopefully blend that area better.  Andrew’s pockets were hastily replaced on Sunday (after the fact) with those of the same main shirt fabric.  Much better.  And my dress could use some work in better shaping the top half.  These are things you just can’t do when you’re cramming for a deadline.

+ The key to production sewing like this:  cut everything out ahead of time!  Really, I’d guess that part takes about the same amount of time as the actual sewing/construction.  Or pretty close.

+ It should also be noted that every scrap of fabric was part of my stash, thus in full accordance with the principles of the Rumpelstiltskin Challenge.

 

 

 

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Reason #247 Why We Shall Not Have More Children

Because then there would be absolutely NO WAY IN HELL I’d finish sewing each of us a new garment by this weekend’s annual Sugar Maple Music Fest.  As it stands, the idea of finishing four sewn-from-scratch garments that are currently (on Wednesday) only 60% cut out is some kind of crazy crack-smokin’ talk.  Yet I persist.

It’s sounded like a good idea for awhile now.  I declared my goal publicly and even included the “probably smokin’ crack” disclaimer a week or two ago.  Then I thought about starting, even cut out the pieces for Errol’s shirt.  Then I cleaned out the fridge, rediscovered my love for knitting, clipped my toenails.  Only last night I told The Mister that he’d probably not get his shirt by Friday or Saturday.  Then I proceeded to measure him.

This morning I rallied with a good cup of coffee and a pair of kids distracted in front of some PBS show online.  I cut out my dress.  I started putting fabrics together for Isadora’s and realized that I could finally live out that dream which is the birthright of every mother:   to have matching Mother/Daughter outfits.  Yes.  How I’ve resisted that sadistic impulse so long is beyond me – probably some form of laziness on my part.  It’s not like I haven’t had the opportunity.

And then I realized that I could do the same sort of thing for the boys.  With this, my jet pack has been ignited and I’m kicking it into High Gear.  You heard it here first: (You too, Dear!)  we will be matchy-matchy. (Isn’t that a GREAT IDEA?)  And we will be unmistakable at the Sugar Maple this year as “That Weird Quirky Family Dressed Alike But Strangely Not Performing.?!?”  If I get these all sewn, that is, which we all know has a snowball’s chance in hell.  But you never know…

See last year’s Sugar Maple, including the handmade Boy/Girl ensemble here.

2009 is here. No handmade clothes that year.

2008 here. None that year either.

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We doff our hats to you, Tom Waits.

Congratulations to you, Mr. Waits, on your recent induction into the Rock and Roll Hall of Fame.  It feels strange to call you Mr. – such a prominent presence you have in our carefully cultivated day to day reality – we sometimes forget that we’re actually not the mutually-held dear friends we imagine we could be.

We first met you via the soundtrack to the movie Basquiat.  Your voice, of course -  it was your voice that caught our attention and crawled under our skin and wedged itself into the crinkly recesses of our brains.  Who IS that, we had to know.  We were just a couple of college punks at the time.  We had no idea how our entire musical library was to evolve, how the very act of listening to music was about to become more visceral and investigative.  I bought Andrew a copy of Small Change for Christmas some time around 2002, I’d guess, and I distinctly remember going to the music store, thrown off balance by the number of albums I had to choose from.  Which? It was already a risky idea for a gift – we liked the one song we knew, but was it just the novelty that drew our attention, or something deeper?  I chose Small Change for its inclusion of Tom Traubert’s Blues – that it also had a stripper on the album cover only made it better. You had us by the second track.  That album plays now with the same sentimental, lovestruck haze and exhilaration that usually accompanies the soundtrack of a new relationship.

When we had our first child, we beamed with pride when our midwife declared ours the most eclectic selection of birthing music yet, weighted heavily with the dozen or so albums we had of yours.   It was amusing that our daughter chose Tool’s Reflection as the song to be born to, but she quickly claimed Coney Island Baby as her own.  Its four-syllable compatibility with Is-a-dor-a was fortuitous – I think she was at least 4 years old before she realized the song was not written specifically for her.  The song remains, now joined by others of yours, on the mix of songs that send her off to sleep each night.   The same is true for our 2 yr old son, who’s only just transitioned from the (Miami) sound machine white noise to a mix of hand-picked music.

Though you did not see us, we were there amid the crowd in Chicago, and we made the road trip to see you in Columbus, the stop furthest north on your Glitter and Doom tour.  We’ll go further if we have to for any upcoming tours, but we vow to get a better hotel.  That Columbus outfit we chose was a bullshit hole-in-the-wall straight out of one of your songs.  I’d bet Andrew could pinpoint which – he’s great like that.  Me – I tend to reference your songs in a more visual way, pulling apart the layers of paint and dust and velvet and rusty hinges and tin cans kicked down the street and breathing and that rooster.  God, we love that rooster, have our own now, who you’re welcome to record if you get in a bind ever.

Over the years, I’ve tried to figure out what it is that makes your music so powerful for me.  It might be that we are of the same tribe.  At least this is what I imagine from the mental composite I’ve drawn up from the clues laid out before me.  At the very least, we speak your language.  The need to point out the piercingly beautiful bloom of lichen growing on the cement cover of the septic tank.  Or how the slapping of the faded flag against the pole creates a staccato rhythm that can’t be ignored.  I’m no musician; my work is visual, but I take notice of how you effortlessly make beautiful the everyday, the underdog, the discarded, which is what I aim to do myself.  I’ve seen your photographs of oil stains; I’ve read that you cultivate treasures from ‘junk.’  Were we neighbors, I don’t doubt we’d run into one another while scavenging, that you’d have to arm-wrestle me for a beat-up, rusty something-or-other on the curb.  Really, you could just play your “I’m Tom Waits” card and I’d drop whatever it was, fawning all over the place.

Speaking of fawning all over the place, please excuse all that.  And do deliver whatever portion of this fawning is due Kathleen.  You should know that we’ve taken your suggestions to widen our musical horizons and invited Howlin’ Wolf into the mix.  Also Lead Belly.  We’re on a far-reaching musical trajectory now, the starting point of which we can specifically pinpoint to your music.  How do we begin to say thank you for that without sounding like a bunch of saps?  Beats me.

So congratulations on your rightful induction into the Hall of Fame.  For what it’s worth, you’ve been in ours since 2005.

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I’ve just added Abigail Washburn to the list…

of people I wish were my next-door neighbors.  Surely we’d be best friends.

I’ve watched this about three times so far today.  And it’s only 10:46 a.m.

Skip to 8:40 to hear her sing the Chinese folk song if you’ve only time for one song.  It gave me goosebumps.

 

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Fall merriment in the country

Since about the time I graduated from Sassy magazine to Martha Stewart Living, I’ve held in my mind a fantasy of holding a dinner party outdoors.  I fixated mostly on the requirement for mason jar votive candles, illuminating a beautifully-decorated dining table nestled beneath a canopy of branches.  It would be a lie to say I did not consider backyard dinner party tree potential when searching for the perfect home, and that such potential was not noted when deciding on this particular home.

Consider it a fantasy met and exceeded.  Saturday evening found us surrounded by some of our very best friends, cloaked in the exceptionally warm October evening, dining and sipping and dancing.  Square dancing, of course.  Our conversations were marked by side-splitting belly laughter and a staccato rhythm of leaves falling all around us. The food was good, the company even better. And then Zip Wilson arrived to call our dances. I think even he’d agree that we’re all pretty damn good square dancers.

Magic.

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Another year, another Sugar Maple

Howdy, Pardner!  Another Sugar Maple Music Festival has come and gone, if you can believe it. (I can’t.)  It’s a little bit like Christmas around here, with the excitement of the upcoming event, the anticipation, the planning.  I had planned to fashion a whole Von Trapp Family ensemble of newly-sewn, matchy-matchy clothes for the whole family, but couldn’t muster the time.  Alas, only The Boy and The Girl made the cut before the buzzer rang.  The dress shown above is the Oliver + S Jump Rope Dress pattern that I sewed up from a yard of cowgirl fabric and a vintage bed sheet.  Moments after it left my sewing table, it was paired with the cowgirl boots and hat seen here, pulled straight from the dress-up bin.  And how gratifying – Isadora completed the ensemble without the slightest provocation from me.  It may be noted that the boots are a handful of sizes too big, like you would expect from those pulled from a dress-up bin.

Not to be left out, The Boy also sported a Momma original.  His was more of a dramatic finish, inspired by a particularly good cup of coffee the morning of the event and a bowl full of can-do.  No doubt I had that crazy look in my eye as I announced to Andrew, out of the blue, that I was going to sew a shirt for Errol before we left.  I think the caliber of man Mr. Andrew is speaks for itself, as he graciously stepped aside, prepared all the picnic food and drink, and didn’t once complain that we were late.  But The Boy did get his new shirt.  You may notice that it, too, is a few sizes too big, but would you really expect me to make something this good to last only through the rest of the summer?  Exactly.  It was well received. And the snap press was properly exercised, lest it get rusty, bedazzling both outfits with shiny new pearl snaps.

Oh, there was dancing.  Lots and lots of dancing.  This year though, Captain Daddio had some serious competition in securing his daughter’s hand for a dance, with two little Misters vying for the chance to dance.  There’s a short clip of it all going down in this video shot by WPR, about 1 1/2 minutes in.

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Handmade Recap – for the Mister

Oh, this is the good stuff, the grand finale of Show and Tell.  This is the project that held up our Christmas, as I sewed feverishly to get as much done as possible before wrapping and presenting it.  And in the end, it was handed over without sleeves or side seams, but after that first moment of confusion, was very well received.  And as of today, January 19th, it still patiently waits for sleeves and side seams and maybe even a hem.  Soon, Handsome Shirt.  Soon.

You’ll have to kindly edit out the bust in your own minds; the only dress forms I have for showcasing the shirt are of the female variety.

Some details for you to chew on -

+ The buttons are pearlized snaps applied with my very own industrial snap setter, mentioned previously.  What I couldn’t say before was that I bought it specifically for this application.  I bought it to apply pearlized snaps, many of them, which is why, when they’re reviewing the candidates, I shall be awarded the honor of Wife of the Year.  The Mister has a thing for pearl snaps.  He also has a dear friend and coworker who sports them regularly, inadvertently calling attention to Andrew’s meager one or two pearlized shirts.  ‘This will really show him!’ Andrew said with glee on Christmas Eve, after fully comprehending the gift.  ‘You betcha, Dearie.’  I said.  ‘We have hundreds of pearl snaps, in different colors even, at your beck and call.’  That is one lucky man.

+ The fabric is something I came across by accident in the sale bin (online) at Purl.  (I get into a lot of trouble just browsing like this)  Imagine, if you can, the gasp! and then the shriek! that was heard in these parts the moment I laid eyes on that fabric.  Is it possible to find a design better suited to our new-found love of old time music, our budding new skills in guitar playing, the line item of Square Dance on our To-Do list, to…to this mustache? Absolutely, unequivocally no. I ordered 3 1/2 yards.

+ When I received said fabric, I gasped again, feeling with my fingertips the buttery softness of the cotton weave.  What a tremendously wonderful weight and drape for a shirt…or a dress…or a whole family of shirts, dresses, vests.  I ran to my computer, my fingers barely keeping up with my desperation and I swooped in, ordering the remaining yardage (all 7 of them) in the cream colorway.  I threw in a couple of yards of the brown colorway as well, for good measure.  Look out, folks.  This family is going to be transformed into the Matchy-Matchy Square Dance Family as soon as this fabric crosses the magic threshold of my sewing machine.  Boy, oh, boy!  For real.

+ That bow-shaped curve detail on the back and the front pocket, which clearly indicates the Square Dance potential of this shirt, was a little sewing improvisation on my part.  I dug out some narrow ribbon in just the right color combination, formed it into an appropriately western curve, and sewed it on.

Is that all I have to say about the shirt, for now?  I think so.  I’m at this minute packing my project basket for a weekend sewing and crafting retreat, where all of the dreams and aspirations of this shirt will come to fruition.  Perhaps some other garments from the Matchy-Matchy line will also be born?  We’ll see.  My eyes are always bigger than my plate when I pack and plan for such a weekend.

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Barn Dance

When I told Isadora that we had gone to a barn dance the night she spent with Grandma and Grandpa, she replied with a puzzled, “isn’t that just for animals?”  Indeed, we had read a book about a midnight barn dance, where the animals paired up and stole out of the barn to partake in some secret midnight dancing.  No, I responded with a laugh, there were no animals, but it was no less magical.  As we lay there snuggling together at bedtime, I described the scene for her.

The night air was that perfect combination of sharp cold and crispness that only October can perfectly conjure.  The barn, a grand old structure, was illuminated with a few simple spotlights.  The windows gave mention of tiny white lights dancing around the vertical beams within.  The magic wafted through the drafty slats of barn wood, drawing us in with wispy tendrils of fiddles, banjo, and guitar.  In we went.  And we were looking sharp, dressed as we imagined appropriate for such an occasion:  beaver skin hat and red square-toe boots.  (unfortunately not picked up by the photographer)

It was actually our third square dance in about as many months.  How great is that???  I don’t think I’ve yet mentioned the Date-Night-to-Define-All-Subsequent-Date-Nights that we shared the first night of the Sugar Maple Music Fest.  I’d better bring you up to speed.  That first night of the Sugar Maple, we had secured a babysitter for the kids and headed out to the fest.  On the way, I mentioned seeing something about an old-time dance later that evening.  Frankly, we were just happy to be going – the specifics of the entertainment were icing on the cake.  At the fest, when they announced that dance lessons for the upcoming dance were being given in a smaller tent, we went, expecting to finally learn how to waltz, maybe, or some other mysterious dance.  I didn’t know what kind of moves were involved in an old-time dance, but we were game for anything.  It was Date Night, after all.  When Dot, our ebullient instructor, lined us up by couples to form a square… the light in my head went on.  I turned to Andrew, my eyes lit up, big as saucers, and exclaimed in as contained of a whisper as I could manage in my excitement, “THIS IS A SQUARE DANCE!!!”  How funny that we had no idea until that very moment.  And what a terrific surprise!  We absolutely loved it.  And we gushed on and on about it to our friends, family, ourselves for weeks after.  Where could we get more of this?  We were hooked.

sqdance

photo courtesy of Wikipedia

When my friend Lily sent an invite to her Square Dance Birthday Party, you know we rearranged our schedule to accommodate it, bringing our camping friends along with us before setting off the next day on the lively camping trip mentioned here.  And that very night, I spied on her fridge the poster for the Barn Dance that became our third dance of the year.  So far.  There’s lots of dancing time left.

This is a shot I snapped on the very last teeny-tiny bit of battery power, right before my camera called it a night.  A collection fit for a living history museum exhibit, these are the Caller’s own collection of dances, a whole index card file of allemandes and promenades and do-se-dos.  The incalculable value of this repository struck a nerve with me.  They’re not unlike Great-Grandma’s recipe cards, a meager bunch of ingredients jotted down on an index card, their dishes coming to life only with the knowing hand of the card’s author, or through someone well versed in Great-Grandma’s method.   These particular cards and dances are almost meaningless to anyone but their author, yet in his knowing hands are worth their weight in gold.

I might add that I haven’t always been so enthusiastic about square dancing.  If you were to time-travel and find my 7th-grade-self amidst the dreaded square dance unit of gym class and hand her a printed copy of this blog entry, she’d no doubt look at you through her hair-spray-encrusted, intricately lofted bangs and smirk, “Yeah, right.”  It’s hard for a girl wearing MC Hammer pants and black patent leather shoes to don the glasses of the future and foresee it holding anything musical but more Milli Vanilli or Vanilla Ice.  I have to think that Mrs. K, who patiently taught us the steps of square dancing way back when, even though it must have seemed a lost cause for our ” too cool” selves, would have a bit more faith in my generation if she could see how her diligence has come back to serve me well.

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We court The Guitar like a new lover.

Andrew and I are both learning to play the guitar.  It was one of those things we both wanted to do, but perhaps seemed so GRAND and INVOLVED that we couldn’t quite wrap our brain around actually getting started.  Silly us – getting started was actually pretty easy, with an instructor friend in town eager to get the ball rolling.

Andrew has had an electric guitar for years now – it came with his VW Jetta TDI.  (Isn’t this how everyone gets started with The Guitar?)  It was a promotional gimmick, tapping into that latent desire we must all have to play the guitar while driving. (you can plug it directly into the car’s stereo system)  Yeah – it was funny for awhile – showing up with his guitar, plugging it in, shredding a bit.  Ultimately, though, the joke could only go so far without actually knowing how to play.

And I’ve always wanted to learn how to play something.  Piano, mostly, but there was that other episode with a guitar, the one where I got one for Christmas, stroked it lovingly for months, but never learned how to play.   A short stint with the trumpet in fifth grade was overshadowed by saxophone envy (everyone wanted to play the sax that year and got in line ahead of me) and the birth of my baby sister.  Mom said it was too much driving to keep up the lessons at the neighboring school, especially with winter approaching and a new baby.  Likely, though, she sensed my waning enthusiasm and jumped on the opportunity to simplify the routine.

I hesitate to put words into Andrew’s mouth, but I think I speak for both of us when I say that we act with a certain “where have you been all my life?” fervor towards our guitars.  The kids’ heads barely hit their respective pillows before we rush back downstairs to rock out.  The chords come pouring out, some more gracefully than others, and the expressions on our faces alternate between concentrated focus and awe, as if the sounds coming from our very hands are magic.  Daily, we compare the slowly-forming calluses on our left hands’ fingertips, take new interest in the state of our hands.  Hangnails and too-long fingernails become barriers to our new-found love and must be avoided at all costs.

I think we’re quickly becoming infamous as The People Who Bring their Guitar Everywhere.   While we’ve only racked up 3 lessons each so far, we’ve already given a handful of concerts:  at our fire pit, while visiting family, at the cottage, and most recently at a nautical-themed dinner party.  Was it fate that our ever-growing songbook included tunes perfectly suited for an after-dinner performance?  Perhaps.

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This time, as an insider.

We returned to the Sugar Maple Music Festival.  This must be our favorite event of the entire year.

It was the culmination of a year’s worth of anticipation, beginning the moment we left last year’s event.  Last year, as we danced and marveled and let the cornucopia of  sound wash over us, we also recognized the longing that we carried with us to make our own music.  Wistfully, we ogled the banjos and fiddles and guitars and accordions.  And as we wound our way through the crowd of contented listeners last year, taking our leave and observing our little one’s need for sleep, I made two wishes.   First, I hoped we would return to the festival the following year with a family of four. (check)  And second, I hoped that by that time the following year, I would be learning how to play an instrument of my own. (double check)

As it turns out, having a set deadline for a goal or wish is infinitely useful in manifesting that goal.  But more on that later.  For now, I’d like to focus on the marvelous time we had at the festival this year.

“We could live on this blanket,” I said as I set about preparing our picnic lunch.  A still-warm loaf of fresh baked bread was sliced on the spot for our sandwiches.  Fresh blueberries were squirreled away by a little girl sharing with a new friend on a neighboring blanket.  We were comfortably afloat in a sea of music, arriving just in time to hear the traditional cowboy songs performed by KG & The Ranger, an act that included yodeling and lasso rope tricks.  We had been anticipating it for months.

KG & The Ranger

The stilts were a pleasant surprise.

Maybe next year will find us joining one of the jam sessions offered in a nearby tent?  Or the accordion workshop? Perhaps the child-size accordion I stumbled across at a garage sale a few weeks ago can be put to good use.

This year, the painful angst came not from the intense, unfulfilled desire to play an instrument, but in having to leave the festival at the beginning of this act to head north for a wedding.  A consolation made its way home with us, allowing us to revisit the fest while (edited) washing dishes, bouncing baby, or making supper. vacuuming up broken glass, intercepting the maple syrup being emptied out onto two leftover blueberry pancakes, and accompanying the battery-operated noise of the Jumparoo.

I made a new wish as we drove away this year.  Respecting the rules of wish-making, I’ll share it once it comes to fruition.

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